“I headed north again, crossing back over the westbound lane of Obregón and continuing the few blocks to the Plaza Rio de Janeiro, circled past the gray copy of Michelangelo’s David perched there amidst the fountain and went on one block more to the Casa Universitaria del Libro, another opulent, neocolonial residence from the early twentieth century situated at the intersection of Orizaba and Puebla, and now a building of the Universidad Nacional Autónoma de México, dedicated to the advancement and promotion of literature.” (The Starlight Line, p. 59-60)